32?
Yes you guessed right!!
Ha ha ha ...
If only.
Add 33 to that number i.e. 32, then subtract 40, multiply by 2, add 1, and you'll probably get the right age ... if you can be bothered to do all of that ...
Anyways, to celebrate my b'day I went uptown for a very nice meal to a tried and tested place, followed by drinks and dancing at Escape. Prior to all of that was a visit to the cinema, which made the day even more divinely indulgent, helped by the fact that the movie I saw was very good indeed. And the movie was ...
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I loved it, for a number of reasons:
1) Colin Firth's brilliant portrayal of George. Prior to "A Single Man" I wasn't exactly his greatest fan. Regardless of all that hoo-ha about him as Darcy getting his shirt off in "Pride and Prejudice", I'd never been into him and also found him utterly annoying as the "modern" Darcy in the Bridget Jones movies - wet, boring, humourless, repressed and asexual - pretty much encompassing all those British stereotypes that non-UK people have of us, except in this case the character wasn't just a bunch of stereotypes, he really was like this. Although perhaps I am slightly forgetting the fact that Darcy is fictional, not real and probably nothing like Colin Firth the actor ... I dunno though, quite how the delightfully ditzy Bridget fancied such a dull as ditch water bloke was beyond me ...
Anyhow, Firth defied expectations for me in "A Single Man. He's a revelation - and in the film his quintessential Englishness and restrained mannerisms and behaviour are actually a virtue. The scene in which he receives a phone call from the brother of his partner, to tell him that Jim has been killed, is brilliantly acted - George keeping it together vocally as he talks to the brother, but his face telling a very different story as the grim reality sinks in. We then see his true reaction when, breaking down, he dashes next door in the pouring rain (slightly obvious symbolism) to see his best mate Charley for a (literal) shoulder to cry on (Charley played by the estimable Julianne Moore, more (excuse the pun) on her in a moment...) The meticulous way in which he lays out all of his belongings on his bed, including legal documents and letters to friends, as he plans his suicide, smacks of Englishness too, but rings true, so it's heartening to see George's attitude change near the end - and then by contrast hugely saddening when things then take an unexpected turn. I won't say any more for people who haven't yet seen it.
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And there's also the male hustler played by Jon Kortajarena Redruello (bloody gorgeous!!) who George runs into, gets propositioned by and turns down - God knows why - old George seems to get more offers from men in one day than most would in a lifetime!
4) The attitudes towards homosexuality. As I mentioned there's an interesting level of ambiguousness in some of George's relationships with the men he meets - is something going on or not? - which is a hallmark of the time. But the prejudice and ostracism that gay men received back then is also dealt with, and whilst deplorable, I found the scenes which showed this to be the most truthful and telling of all. When George speaks to Jim's brother on the phone and is told that he hasn't been invited to the funeral as he is "not immediate family", you could almost hear the hiss of disapproval from the audience - the refusal to recognise George and Jim's relationship as a "proper one" grates massively but is (regrettably) indicative of people's attitudes at the time (and to be honest, still is in some backward quarters). This is reinforced even more in the dinner scene where a drunken Charley blurts out that she and George could have had something "real" and that she never thought that what he had with Jim was "real love". F**k off!!! Insulting and deeply ignorant, but nevertheless, the kind of views that I myself have heard people spout from time to time.
5) The look and cinematography of the film. American fashion designer Tom Ford makes his directing debut here and his design and style roots come through clearly in the movie - it's sumptuously shot and made - the 60s style being prevalent throughout (loved the profileration of ladies' beehives!) George's glass house is also pretty funky and trendy (though a bit of a nightmare for those craving privacy?!) and there's a funny scene where he sits on the toilet spying on his neighbours through the window, before one of them clocks him watching.
All in all, one of the best gay movies I've seen in a long time and proof that Colin Firth really can cut the mustard.
4 out of 5.